![]() It was during one of my Saturday night movie marathons that I first saw the politically charged sci-fi satire Wild in the Streets (1968), a flick about a bugged-out alternative America guided by an insane pop star named Max Frost, his band mates The Troops and the millions of fans. While I was an avid reader, my sci-fi/fantasy foundation was the many TV programs and films I devoured years before discovering the fictions of Robert A. My imagination was fueled by doses of DC comics, reruns of Flash Gordon/Buck Rogers serials on PBS and Godzilla Week on the 4:30 Movie. ![]() ![]() ![]() As a boy growing-up in the 1960s and ‘70s, my idea of science fiction usually revolved around alien invaders, fire breathing monsters destroying major cities or friendly Earth men exploring the galaxy before losing contact with home and crash-landing on some strange planet. ![]()
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